It’s a monthly subscription service that let’s you choose from over 1M sounds across all genres. When you go deep into drum programming, however, you find there’s a hell of a lot to learn. You find it hard to pick the right samples, and your patterns just don’t sound as good as those in the songs you listen to every day. The better your source material is, the less work you have to do. There’s no method or technique for picking good samples, it’s about using your ear. Take down notes, question why they used particular sounds, think about how strong the groove is and what sounds are contributing to it the most. You might have to add reverb in a certain way to cover up a horrible artifact in the sample, or do complex surgery with an EQ. However, due to the size of this article, and it not being tech-house specific, I’m going to use a track with a relatively simple yet classic tech house drum pattern; Coffee by Guille Placencia. This is common technique in trap/hip hop drums. If there’s complexity, you’ll find it in the high-end with the hi-hats and ride cymbals. listening. Both of these patterns were common, and essential, in the 70s and 80s funk resurgence, before we started noticing them more in discos and the dancey pop music of today. You’ve got the original sound being pushed by artists like Benga and Coki, and the more modern sound that Zomboy and others are proponents of. If you work on your drums early on in the production process (and I recommend you do), you should think ahead about what you’re going to add afterwards, and make room accordingly. Learn how to master the fundamentals of electronic music production with the best roadmap for new producers. I’ve used the Beat Service remix of Armin van Buuren’s Waiting For The Night as an example. . A track I consider to have modern elements while still staying close to the original sound. This doesn’t always work, and depends largely on the strength of swing you add as well as the other drum sounds you’re using, so it’s wise to experiment. This correlates to mixing rather than programming, but generally electro house drums are very dirty and “rock” like. Drum Patterns for Electronic Music Over the past week I have been loving using my Launchpad Mini and the custom LPC Live 2 script for drum sequencing . It’s defined by subtle variations in timing and velocity that enhance the groove and rhythm of a loop. Music; MIDI Drum Patterns for EDM. This song features a classic half time pattern, with the snare on the 3rd beat of each bar. Bath Or they’ll use a different sound for for fourth beat. After all, it is called Drum and bass. I’ve included future house too, just because I don’t want an elitist to come along and tell me that what I’m calling deep house isn’t deep house. There are tech house tracks out there with complex drum patterns which I could use as an example. Kerry Leva – In And Out Of Phase (Norin & Rad Remix), Parker & Hanson – Gravity (Jason Ross Remix), Ron Hagen & Pascal M – Riddles In The Sand (Omnia Remix), Foreign Beggars feat Donae’O – Flying to Mars, Nigel Good feat. What stood out was that each drum hit punched through the mix. As the old saying goes, you can’t polish a turd. It doesn’t mean the track isn’t great, but it’s just somewhat of a disappointment. Some modern trance tracks are very simple, following a pattern similar to that of uplifting. There are a number of places you can find free samples, including our list of free sample packs: When you have too many sample packs, you tend to look for the perfect sample. It’s very creative, and the drums are always amazing. For more advice on programming and processing kick drums, get the April 2019 edition of Computer Music. One thing that helps, of course, is to develop your ear to listen for samples that will fit well. Drum Patterns for Electronic Music - Subaqueous Music Cheat sheat on sequencing drum patterns for Push, Launchpad, or other MIDI devices. . The best way to do this, other than to practice, is to again listen to other music. Similar to Trap, Future Bass spans across multiple different styles and tempos. And finally, before we start, if you find this article helpful in any way, I’d love if you could share it around. One of the most popular websites to download drum samples is. If you solo your bassline, it’s not going to have much of a groove. In fact, it’s quite often the most frustrating. We’ll be looking at the following sub-genres: Recommended: Electronic Music Genres: An A-Z Guide for Music Producers. This is where we’ll analyze a track in each major genre (Trance, House, Drum and Bass, Future Bass, and Dubstep), studying the style of drums and giving a breakdown of how those drum patterns are programmed. One of the most popular websites to download drum samples is Splice Sounds. How to create a drum pattern. To me, it’s the perfect example of classic electro house drums. Hi-Hats are extremely important to the feel of trap songs, accounting for variations to the rhythm and swing of a track. It might be a certain technique, the use of polyrhythms, programming complex hi-hat patterns, trying to make your drums sound more human, and so on. The kick/snare rhythm is simple and static. At its core, drum programming is easy. Call it what you want, I’m going to stick with deep/future because the drum style in both is very similar. Below is an example of groove being applied to a basic drum group. This is where we’ll analyze a track in each major genre (Trance, House, Drum and Bass, Future Bass, and Dubstep), studying the style of drums and giving a breakdown of how those drum patterns are programmed. Not sure where to start when adding interest and variation to a drum loop? Trap is an very diverse genre. You really only need a few good packs and that’s it. Barring the kick, every hit has a tonne of reverb on it. You could argue that this is part of Kygo’s style alone, but a lot of artists in this genre do the same thing. Unfortunately there are a lot of low quality sample packs out there, free and paid. You don’t need to add extra samples to do this though. Most of the time, it doesn’t happen; you’ll come across samples that sound like they might be able to fit, samples that are. I made this free PDF download to help me use a step Sequencer on the fly. If you didn’t notice, the heading for this section is called, Nine times out of ten when producers come to me with a problem, I respond with “You need to. Fortunately, it gets easier—especially if you put in the time and effort to learn drum programming. When your drum sections are too complex, the main features (kick, snares, claps, toms) of your drum section often become hidden. One thing to note is the laid-back feel of the drums, especially in this particular track. The problem of over-complexity or over-producing is a big one. Audio might be better for you. A track I consider to have modern elements while still staying close to the original sound. You can’t draw a house if you don’t know what a house looks like, just as you can’t program good drum patterns if you don’t know what good drums sound like. Often there’ll be an open hi-hat on the off-beat to help move the track forward, which works in unison with the pumping sidechain that most uplifting trance features. The only variation in this loop is via the claps, which have a slightly different pattern in the second bar of the loop. Electronic Music Genres: An A-Z Guide for Music Producers, Source material: where to find great samples and use them well, Simplicity, complexity, variation and interest, You’re great at choosing samples and manipulating them, You understand the balance between simple and complex, Hard to mix and process individual drum sounds, Visually seperated from the arrangement – you have to open up the piano roll or step sequencer in your DAW to see what you’ve done, Difficult to do non-realtime audio processing to samples, Create different varaitions of samples easily, Manual time offset for individual hits easier (can be done in MIDI too, just hard to see exactly what’s going on), Hard to replace samples once they are in place, Less ‘hands on’ and expressive, more technical and precise. I don’t claim to be an expert on genres and what’s what, so you may disagree with how I categorise things, but that’s not what matters here. In the example above, there’s a strong ride cymbal coupled with an open hi-hat that drives the song forward. Using a sample that you hate forces you to think outside-the-box to fix it. Use swing on individual elements to add complexity. I’m using Calyx & Teebee’s Elevate This Sound as an example. The hard-hitting dubstep that was popular a few years back had incredibly simple drum patterns, as did a lot of earlier trance. When picking samples, use the search function in your DAW’s sample browser.